That Drifting Excrement Was Far Too Symbolic! It's the Television Letdowns of the Past Year.

Looking back, we reflect on the TV landscape of the recent year, a selection of shows emerge not for their brilliance, but for their spectacular failures. From cringe-inducing sequels to confusingly poor docuseries, here are the productions that had us scratching our heads or just reaching for the remote.

And Just Like That

How to start with this divisive spin-off? Burdened with dreadful scripts, painful character development (we demand better for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the show fought to find its footing. Briefly, as the final series started, it seemed as if it had finally hit its stride. Then arrived an installment all about Seema’s natural deodorant. Little surprise the showrunner announced this would be the final season. It ended on a bum note; the closeup of Miranda’s toilet full of poo was just way too on-the-nose. Yet, viewers certainly found joy dissecting every single “what on earth?” episode. And as Carrie – a single woman once more – twirled around her palatial townhouse to Barry White, who couldn't let out a little sob?

All’s Fair

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was almost the least of this show's problems. The recipient of a very rare no-star assessment, it was difficult to know where to begin listing the problems. The hilariously leaden writing? The tedious glorification of wealth and consumption? The seemingly deliberate parade of cliches? Acting so bad they felt borderline spiteful? Suffice it to say “all of the above” and never speak of this series again. However, a second season has been ordered, so we’re likely going to have to.

The Charlie Sheen Documentary

Given the legal troubles, abuse allegations and fatherly shortcomings, it’s reasonable to say Charlie Sheen has been a bad boy. Not that you’d truly have gleaned it from this multi-part docuseries which chuckled along at Sheen’s various bouts of reckless excess while struggling to tell us anything we weren't already aware of. Rather, it felt as if this loose cannon was being indulged, so any pity this show might induce should be reserved for the people who have had to suffer proximity with this charismatic but flippant egotist.

The Iris Affair

Naturally we understood it was ridiculous from the get-go: a drama about a supercomputer known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We persevered out of pure love for its stars … but by the end, it felt like even they had given up trying. One barely reacted when his character died, and the other ultimately slicing Charlie with an axe … in super slow-motion. That's what you call admitting defeat.

The Gangster Drama

Shady figures meeting in deserted boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and demands its gangland drama back.

Actually, that is unfair on the gangland dramas of the late 90s. Many look a bit dated now, but at least they didn’t endure the embarrassment of having to indulge unconvincing dialects. But there were many other problems. Mainly that it was just profoundly boring; a dispute over drug-selling territory between various cockney picaresques which felt rather simplistic.

The Meghan Markle Series

Considering the degree to which she provokes the ire of the nation’s performatively angry commentators, it’s almost easy to admire the Duchess of Sussex’s televised forays into twee homemaking as intentional provocations. But then you watch them and are compelled to concede that actually, they may have a point. It’s like watching a homeware catalogue animated; a meme for evening drinks with ideas of grandeur; a procession of sleeping dogs, humming beehives, Hallmark platitudes and pointless crafting “tips” you’ll forget instantly. All supported by vast, mostly undeserved wealth. Ugh.

The Beckham Documentary

There are obviously fascinating things to be said about regarding Victoria Beckham and her journey with vocation, self-image, self-acceptance. But for whatever reason, this three-part series opted not to explore them. Instead, the viewing was like reading a sales catalogue. She clearly has good reason to bridle at what she describes as her “stern” image. But sadly, she didn’t do herself any favours with this cagey letdown of a series.

The Game Show

It had the potential to be the next big hit – except even more extravagant, with a famous star playing dead and a sharp-tongued personality managing her estate. What more could you want? As players battled it out, there was plenty of betrayal and arguing. But the rules quickly became incomprehensible: it’s still too complicated to detail what precisely was happening. Even more regrettably, we only saw brief appearances of the star via filmed videos. The show ended up reeking of a production that was trying way too hard to emulate something far greater than it.

The Lena Dunham Romcom

How do you succeed a show that captured a generation? The pressure was immense for this glitzy romantic comedy about Jessica, a hopeful New Yorker who arrives in London with a shattered romance. The lead actress took her biggest role by the horns and was a delight to watch, embodying Jane Austen levels of romantic notions. But it was all very glossy and, paradoxically, was insufficient. Plus, the abundance of celebrity friends involved felt icky.

The Sketch Show Return

Not good enough to be ‘uneven’.

Given the smart recruitment of gifted younger comics, expectations were high. But unhappily, most of it didn’t land. A recurring sketch was a one-note joke stretched to a dry pulp but recurring in every episode. One star seemed too ready to slip into a well-known ranting mode. The behind-the-scenes sketches, meanwhile, simply inspired the idea that they should probably have remained in there a bit longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely presented the perspective of Amanda Knox. So, while there probably is an interesting drama to be made about the tragic 2007 murder, this isn’t it. The subject matter needed to be handled sensitively. Instead, the series laboured awkwardly to find the right voice, lumbering from oddly breezy, slightly mannered farce to ultimately, real-life horror. Twisted? Arguably. A total mess? Absolutely.

Prime Target

We love the lead actor … but did we buy him playing the most brilliant maths genius since, a man so smart he’s on the brink of a breakthrough that could ruin society? No! This globe-trotting thriller about government agencies spying on – and eliminating – intellectuals honestly got more farcical by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This uncritical portrait followed the content creator notorious for sexual escapades as she undertook her biggest challenge yet. What on earth would motivate her? What we craved was way more interrogation of her true psychology, plus those of the men in the line. They could at least have interviewed the now-famous mum who showed up to haul her son out of the queue. What we got was disturbing imagery and zero interrogation of her notoriety whatsoever. It's staggering to consider, the documentary-maker has a teenage daughter too.

Justin Carroll
Justin Carroll

A tech journalist and entrepreneur with over a decade of experience covering digital transformation and startup ecosystems across Europe.